Skip to main content

Retour a Paris

I'm back in Paris, teaching for the fourth consecutive year. During my most recent free weekend, I visited the Rodin Museum for the first time in more then twenty years. My visit coincided with the best weather so far -- bright and sunny and mild. The view of the Invalides from the gardens of the former Hotel Biron is spectacular:

 This summed up the experience of the museum, actually: the building being as deserving of admiration as the work displayed inside it. The rooms on the ground floor were full of these mouth watering combinations of belle epoque decoration and Rodin's writhing, muscular statuary:

Typically for me, the documentary material also caught my eye. Here is on the of the photos of Rodin using rooms in the hotel as a temporary studio, where he would entertain admirers, hangers on, and potential new clients (Rodin is seated at front-left):

The gardens surrounding the museum consist of sandy pathways leading through orderly bushes and topiary, interspersed with more of Rodin's work. Altogether, the Musee Rodin has just moved into the top three museums I would recommend people visit in Paris (the Louvre and the Musee D'Orsay being the others).

Popular posts from this blog

Restoring my Printing Press

I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative: And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage:

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times: Image copyright Inhabitat.com and Mary Ellen Croteau Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage . I will be exhibiting a mixed media piece there during August 2012.

How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct. Incised lino block, from me.redith.com Etched lino block, from Steve Edwards A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these d