Skip to main content

I Shipped my Ship

I am in a group show at the Hyde Park Art Center starting next week. It's part of a new program of experimental, month-long exhibitions at this venerable Chicago art institution, on the south side quite close to the University of Chicago. Artist and curator Kathryn Fimreite has put together a show called The Pram Endeavor, for which she invited artists to make a small boat that will act as a metaphor for carrying an experience or a memory.Until now I had never heard the word 'pram' to mean 'boat', but a quick trip to the dictionary shows that it's a medieval English word meaning a flat bottomed boat with a squared-off bow. You learn something new all the time.

I finished my piece today and delivered it to Kathryn's studio. My contribution is called "Funeral Barque for My Grandfather.":


The boat/pram is a piece of heavyweight printmaking paper on which I printed a selection of the images I have been using for my film and works on panel during the last year: images relating to my coal miner grandfather, maps of the mining areas where he worked, references to chimneys and smoke. The face is my grandfather in his coffin, from a drawing that I did in my diary thirty years ago, the night before he was buried:


I reinforced the edges with some folded and cut pieces of offcut prints (if I'd had more time to work on this, I might have placed oars across these. I guess that would make them gunnels, or something):


There's a small accordion book on the inside of the boat, with a few lines of text adapted from something I made about five years ago. It says: "My grandfather, who became a miner at fourteen, said to me once: There'll always be a job for you here in the mines if you want one."

Total size: 17" high x 14" wide x 28" long. 

Popular posts from this blog

Restoring my Printing Press

I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative: And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage:

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times: Image copyright Inhabitat.com and Mary Ellen Croteau Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage . I will be exhibiting a mixed media piece there during August 2012.

How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct. Incised lino block, from me.redith.com Etched lino block, from Steve Edwards A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these d