Skip to main content

Back in San Francisco

I'm back in San Francisco for four days, with esposa-escritora Patty who has some readings here and in Chico this week. On Sunday the 24th, we were at the Portuguese Artist Colony on Sutter Street, for a reading and live writing event:


"Live writing" means that audience members voted to select a writing prompt, and then the four invited authors were given ten minutes to write something, which they then read back to the audience, who voted again on which one they liked best.


That last picture shows the four writers writing, while the girl on the right sang some light hip hop songs to keep the audience entertained in the meanwhile. Three of the four drafts were actually pretty good, considering the conditions of writing. Naturally I'm biased, but Patty's was still the best, as I indicated on my voting slip:


Hers didn't win, but it was a fun thing to do. And in the second half of the evening, she read from The Temple of Air, held people spellbound as usual, and sold some books.

I haven't had time to research the history of the Portuguese Artist Colony yet, but there were framed drawings all over the room and the adjacent bar and library by some pretty solid artists from a hundred years ago, such as Ernst Stoltz:




What I do know about Stoltz is that he was born in Augsburg, Germany -- the same town as Bertolt Brecht -- then he immigrated to the US in the twenties. You can tell even in my average looking photos that he was a talented exponent of German expressionism.

Popular posts from this blog

Restoring my Printing Press

I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative: And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage:

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times: Image copyright Inhabitat.com and Mary Ellen Croteau Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage . I will be exhibiting a mixed media piece there during August 2012.

How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct. Incised lino block, from me.redith.com Etched lino block, from Steve Edwards A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these d